Mixes That Sound Right Everywhere People Listen
A great performance buried in a muddy mix never gets a second play. I balance, shape and master your track so the vocal sits forward, the low end behaves, and the song holds its own next to anything in the playlist.
- Streaming-loudness mastered
- Phone, car & earbud checked
- Revisions included, not billed
If any of this is true right now, this page is for you
The vocal disappears
You can hear every word in your session and none of them in the car. The mix is fighting itself and you cannot tell which element to pull back.
It sounds quiet on Spotify
Next to a commercial release your track feels small. Turning up the limiter just makes it flat and tiring instead of loud.
It falls apart on a phone
Gorgeous on headphones, hollow on a phone speaker — which is where the majority of your listeners will actually hear it.
Song Mixing & Mastering, delivered properly
Not a vague scope and a surprise invoice. This is exactly what is produced and handed over.
Full Mix
Level, pan, EQ, compression, saturation and automation across every track, so each element has its own space and the song moves.
Vocal Treatment
De-essing, tuning, compression, reverb and delay set so the lead vocal stays intelligible and in front without sounding processed.
Low-End Control
Kick and bass carved so the bottom is felt rather than smeared — the single biggest difference between a demo and a record.
Streaming Master
Mastered to -14 LUFS integrated for Spotify, Apple Music and YouTube, with true-peak headroom so nothing distorts after encoding.
Alternate Versions
Instrumental, acapella, TV mix and a performance version delivered alongside the main master at no extra cost.
Translation Check
Every master is checked on phone speaker, laptop, earbuds and a car system before delivery — not just on studio monitors.
No hidden extras
Everything listed here is part of the base engagement — not an upsell discovered halfway through the project.
- Full mix from your multitracks
- Vocal tuning & de-essing
- Streaming-loudness master
- Instrumental & acapella versions
- True-peak limited for encoding
- Reference track matching
- Three revision rounds
- Fast WAV & MP3 delivery
Four steps, no mystery
You always know what stage we are at, what is next, and what I need from you.
Send stems & references
Export your multitracks from zero with no master-bus processing, and send two or three reference songs for the target sound.
First mix
I return a full mix within a few days, with notes on anything in the recording that is limiting the result.
Revisions
You send timestamped notes, I revise. Three rounds are included and most tracks settle in one or two.
Master & deliver
Final master plus instrumental, acapella and TV versions, in WAV and MP3, ready for your distributor.
A closer look at the service
A visual example of the service. Actual project samples are available during your consultation.
What makes this different
Revisions are included
Mixing is a conversation. Charging per round makes clients stay quiet about what they do not like, and the record suffers.
I tell you what the recording cannot do
If a take is clipped or a guitar was recorded badly, you will hear it from me honestly rather than wonder why the mix feels stuck.
Checked on real speakers
Phones and cars decide whether a song gets replayed. That is where I sign off, not just on monitors.
Worship and live-band fluent
Dense arrangements with multiple guitars, keys and vocal layers are routine work here, not an exception.
Pick the scope that fits
Every project is quoted after a short conversation, so you pay for the scope you need and nothing you do not.
Mix Only
Best for: You have a mastering engineer
- Full mix from stems
- Vocal treatment
- Three revision rounds
- Mix-bus prepared for mastering
Mix + Master
Best for: Most independent releases
- Everything in Mix Only
- Streaming-loudness master
- Instrumental & acapella
- Translation check
EP / Album
Best for: Multi-track releases
- Everything in Mix + Master
- Consistent level across the release
- Track sequencing & spacing
- Per-track release rate
Not sure which fits? Tell me the problem on a free 30-minute call and I will tell you the smallest thing that solves it.
What you should actually end up with
A vocal you can hear in the car
Loudness that matches commercial releases
A record that survives a phone speaker
A release you stop second-guessing
Answered honestly
All tracks exported from bar one to the end, same length, 24-bit WAV at the session sample rate, with no processing on the master bus. Leave channel plug-ins on if they are part of the sound and tell me which ones are intentional.
I can master a stereo bounce and will get it meaningfully louder and more balanced, but I cannot fix an internal balance problem. If the vocal is buried in the bounce, it stays buried. Send stems where possible.
-14 LUFS integrated with true-peak under -1 dB, which is what streaming platforms normalise to. Pushing beyond that gets you turned back down by Spotify and a flatter track for nothing.
Three rounds included on every mix. In practice most tracks are approved in one or two, because the reference conversation happens before I start rather than after.
First mix within three to five working days of receiving stems. Revisions are usually turned around in 24-48 hours.
Often booked together
Let's talk about your project
A free 30-minute call. You describe the problem, I tell you what it takes, what it costs and whether I am the right person for it.